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Smith’s love of ceramics came early. Born and raised in Augusta, Georgia – what he calls “the epicenter of pre- and post-Civil War ceramic production” – Smith began throwing pots as a kid. His work caught on with local collectors, and he started selling his pieces at local art markets.

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“Wigs is a science I’m still learning,” says Chris Zizzo, who has been Arizona Broadway Theatre’s wig master for the past five years. “It can be stressful, but I find joy in telling a story by creating a wig. I’m delving deep into the characters themselves and trying to convey something about them to an audience based on how they do their hair.”