Thursday, March 05, 2015



Pop Goes the Easel

SEE IT: Enter the world of pop art at the ASU Art Museum in Tempe this summer.

Six rare screenprints by Andy Warhol were donated to the museum by the late artist’s institution, Andy Warhol Foundation for the Visual Arts. The original works will be displayed in the free museum (51 E. Tenth St., Tempe, 480-965-2787, until September, when they will be transferred to the Jules Heller Print Study Room. The prints and 155 photographs by Warhol that the foundation donated in 2008 enliven and continue Warhol’s legacy, says Jean Makin, the museum’s print collection manager and curator. “He wanted his work to be accessible to the public. His work is not limited to one sector of the country or facet of contemporary art, but open to everyone.”


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Tim Rees

ARTIST OF THE MONTH: Artist Tim Rees just completed a mission to put the mining town of Miami, Ariz., on the map – or at least on canvas.

Rees moved back to Arizona from Chicago in 2012 and purchased a century-old home in the tiny town, which is adjacent to Globe. He took a look around. After years of painting realist figures, still lifes and landscapes, he became enchanted by the town’s  ramshackle aesthetic and brightly colored, boxy buildings.

“I started seeing these old buildings with chipped paint and wood falling off and everything rusted over,” says Rees, who finished a series of paintings portraying Miami’s old houses in July. “It’s sort of visual candy to see all these different textures and colors and surfaces. I was compelled to paint them.”


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Curly Riser

HEAR IT: “To the things I can count on to keep me going strong / Yeah, I hold on, I hold on.” So croons hometown country hunk Dierks Bentley in “I Hold On,” an ode to the grounding elements in his life – faith, love, family and freedom, as well as his beat-up truck and scratched-up guitar case – and the second single from his seventh studio album, Riser. The Tempe native will hold on to his Arizona roots with a stop at Ak-Chin Pavilion on Saturday, July 26, for his Riser Tour 2014, with openers Chris Young, Chase Rice and John Pardi. Sing along as Bentley belts the album’s other singles, the swingy torch song “Bourbon in Kentucky” and the party-starting “Drunk on a Plane,” and fan favorites from his twangy oeuvre, like “What Was I Thinkin’” and “Come a Little Closer.” Tickets cost $25-$240.


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Church Revival

How historical houses of the holy around the Valley became converts to a new purpose.

Taco Tabernacle
Built: 1893, as a Methodist church and school
Repurposed: 2014, as Taco Guild restaurant
If you’ve been praying for a place that serves a ton of tequilas (like, more than 152) and innovative locavore street tacos among stunning stained glass windows, elaborate chandeliers and a seamless hodgepodge of secondhand items and historical finds, may your prodigal wandering bring you here. When Z’Tejas CEO Steve Micheletti was looking for a location for his new taco concept, he was skeptical of the enthusiasm expressed by commercial real estate agents about the location, which was badly in need of restoration.


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¶lim¶How the West Was Won

PHM0714Feat-3Museum maestro Mike Fox was looking for a hand to get the long-planned Scottsdale’s Museum of the West into the saddle. He found one in the mysterious "Mr. C."

Thirty years ago, then-mayor of Scottsdale Herb Drinkwater would take Michael J. Fox – no, not that Michael J. Fox – out in his Jeep to look at property to the north of downtown Scottsdale, “which, to the north then, was like Shea Boulevard,” Fox remembers. As director of the Heard Museum, and a guy who’d launched art institutions in Berkeley and in Flagstaff, Fox was known as a development whiz. Meanwhile, Drinkwater was enamored with the idea of developing a museum dedicated to the art and history of the American West, and wanted to share his vision with Fox.


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¶lim¶Arizona Country Roads

PHM0714Feat-2From the White Mountains to Willcox, Duane Eddy to Dierks Bentley, we take a journey through the Western music of the Grand Canyon State.

If you took a tour bus and filled it with all the musicians who helped make the history of Arizona country music remarkable, you’d see several familiar faces: Rex Allen. Marty Robbins. Tanya Tucker. Waylon Jennings. But you’d also discover a few forgotten folks, like Billie Maxwell, a cowgirl who cut the first commercial record by an Arizonan in 1929. And if you drove to just a few of the places around the state wrapped in Western lore and connected to country music, you’d be making a long C-shaped drive spanning almost 268 miles, from the Petrified National Forest to near the Mexico border.


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Daniel Edlen

PHM0714Flash-1-3ARTIST OF THE MONTH: Artist Daniel Edlen puts a new spin on vintage vinyl albums. The Gilbert resident painstakingly paints intricate images of music stars on records using a fine brush and white acrylic paint, resulting in amazing and affordable art (each record sells for $350). “I wanted to make them affordable for music lovers,” says Edlen, who has created hundreds of albums featuring everyone from Engelbert Humperdinck to Frank Zappa.


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